What makes a persons voice pleasant




















Male and female job candidates with lower-pitch voices are also more likely to be hired. If you want to get by as a competent speaker, it pays to go down an octave or two. What does this apparently universal preference say about how we judge character? And are there exceptions to the rule? The pitch of both men and women's voices decrease through adolescence.

But you can predict, with a high degree of accuracy, what pitch a man's voice will be throughout their lives based on what it was at the age of seven. The children's pitch pre-puberty was a good predictor of their pitch in adulthood. We know that voice pitch is linked to testosterone levels , which might be more important to romantic choice, as from an evolutionary point of view stronger men would be more sexually desirable.

In the case of the Tanzanian hunter-gatherers, a deep voice might be acting as a proxy for other skills that require more testosterone. The pitch of the voice itself means nothing, but it gives a clue as to how capable a hunter the speaker is, and therefore how well he will provide for his children and how good a chance those children will have to pass on their genes in the future.

Men's adult testosterone levels are determined by their exposure to their mothers' androgens the group of hormones to which testosterone belongs during weeks of pregnancy. This suggests that something that could play an important role in our reproductive success is largely set from childhood and linked to our mothers' pre-natal hormone levels, says Pisanski.

Men's preferences for women are a little more complex. For a long time it was thought men prefer women with high-pitch voices which, if voices deepen over time, might be acting as a proxy for youth and therefore the number of future years of fertility.

When looked at purely in terms of reproductive success, it pays for a man to find a woman who can potentially have more children. The fact that women, too, are seen as more competent if they have a deep voice provokes an interesting thought for both Pisanski and Barkat-Defradas: can we manipulate our pitch in the right setting to adapt to our needs?

When we have a good conversation with someone, we tend to adjust the pitch of our own voice towards theirs — something called prosodic entrainment. But when we find someone attractive, the opposite is true. For men, their pitch goes down, while for women, their pitch goes up — playing up to our gender stereotypes.

The more attractive we find someone the greater the difference. You might wonder how these two opposite behaviours unfold on a date — surely a good date, and the sign we are attracted to someone, comes from a good conversation? Notice the full, rich sound you make as you concentrate on connecting. Pacing is critical to add depth and dimension to your voice. You have to speak in short sentences—not long, complex sentences. When you speak in long, complex sentences, you tend to cram more words into one breath.

When you compress your sounds, you are fitting more words into a breath and sucking out the tone and color of your voice. So remember, pace yourself. Speak in short sentences supported by small breaths. By focusing on resonance, relaxation, rhythm, and pacing, you will be able to develop the voice you want to reflect your personal brand. While you might not create a signature as iconic as Susan Boyle, you will create a rich sound that will contribute to your personal and professional success.

Events Innovation Festival. Follow us:. By Anett Grant 3 minute Read. Little survives of his work, apart from a detailed list describing how voices can range from being engaging or feeble to persuasive and even melodious. Pollux noted that the latter gave the impression of a cultivated individual. But what actually makes a voice seem engaging or melodious?

Two millennia later, the decidedly 21st century combination of big data and crowdsourcing may be yielding the answer. The technology is aimed at streamlining recruitment in the hourly jobs market, a source of employment for over 76 million people in the US. Surveys have shown banks prefer to hire people with soothing or calming voices. Psychology has shown that certain cues in speech, known as paralinguistic elements, are more important than others when it comes to generating particular emotions in the listener.

Low frequency, continuous sounds are far more comforting to distressed individuals than intermittent sounds, acoustic techniques which mothers tend to naturally use when trying to soothe newborn babies. This differentiation between a low or a high voice is the pitch. Some of the factors that contribute to how a voice sounds include anatomy, the vibrations of the vocal cords, and positioning. Of course, you can change the pitch of the voice. Everyone has a voice identity. A unique fingerprint that makes us all sound like ourselves.

Want to sound more polite? Soften your tone. No problem. Do you want to look more professional in the eyes of your colleagues? Again, play around with your tone to develop a sharper, crisper feel. Think of a parent when they want to express their love for their child. Their voice sounds softer, more high-pitched, and comes off sweeter. Now, think of the voice of a parent who wants to scold their kid.

To explain vocal fry, we need to mention just one name that has mastered it. Being one of the most popular ways that women talk like today, fried sounds are produced based on how the vocal cords vibrate.

This is it. From here, you can see how loud you can go and start controlling one of the most common voice qualities. Rhythm is one of those details that we forget to talk about when we talk about the characteristics of a voice. Having a good rhythm makes a voice sound much better.

On the other hand, the staccato rhythm feels more robotic and less natural, which will definitely raise some eyebrows. When you want to drag or extend your vowels, move your arm slower.

This is what we call reverberation. Generally, there are many places where you can position your voice to give a different feeling.



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